Eto Otitigbe

Eto Otitigbe

By placing in dialogue the conceptual frameworks, design blueprints, specific histories and local landscapes which led to the realization of each work of public art as a discrete interactive form, Otitigbe unearths a profoundly materialist study of modern signifiers in public space. In his current public projects – including his work as a member of the Design Team for the Memorial to Enslaved Laborers at the University of Virginia in Charlottesville – Otitigbe has been involved in what theorists of Afrofuturism might term “countermemory”: assemblages which contest the colonial archive to establish the historical character of Black culture. Otitigbe collects the remains of these projects for a study of the materiel in the imaginative inquest of a future archaeologist: attempting to both trace and fuse the phenomena of recent history into a blueprint for the previously unseen, as well as to posit new futurist perspectives from which to study and critique the recent past.


Eto Otitigbe is interested in recovering buried narratives and giving form to the unseen. He is a polymedia artist whose interdisciplinary practice includes sculpture, performance, installation, and public art. Otitigbe’s public works includes temporary installations in Socrates Sculpture Park (Queens, NY) and Randall’s Island Park (New York, NY). His current public commissions include: Peaceful Journey (Mt. Vernon, NY, 2022); Cascode (Philadelphia, PA); Emanativ (Harlem, NY); Passing Point (Alexandria, VA). He was a member of the Design Team for the  Memorial to Enslaved Laborers at UVA (Charlottesville, VA) where he contributed to the creative expression on the memorial's exterior surface.


Otitigbe's work has been in solo and group exhibitions that include 2013 Bronx Calling: The Second AIM Biennial, organized by the Bronx Museum and Wave Hill; Abandoned Orchestra, Sound Sculpture installation and performance with Zane Rodulfo, Guggenheim Museum, New York, NY; The Golden Hour, Oakland Cemetery, Atlanta, GA, curated by Oshun D. Layne; and Bronx: Africa, Longwood Gallery, Bronx, NY, curated by Atim Oton and Leronn P. Brooks.


Otitigbe’s fellowships and awards include the CEC Artslink Project Award for travel and cultural projects in Egypt and the Smithsonian Artist Research Fellowship at the National Museum of African Art where he explored the intersection of Urhobo language and historical objects.

His curatorial projects include directing the es ORO Gallery in Jersey City, NJ (2007-09) and co-curating, alongside Amanda Kerdahi, the Topophilia Exhibition in Nees, Denmark (2017) as part of the ET4U Meetings Festival in Denmark.


He is an Assistant Professor of Sculpture in the Art Department at Brooklyn College. He received a B.S. in Mechanical Engineering from MIT, an M.S. in Product Design from Stanford University (M.S.) and an MFA in Creative Practice from the University of Plymouth.


He has been represented by Morton Fine Art since 2022.

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